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Taxi Music Forward - Light Drama Piano-Based Instrumental 

Which means: “Hey cool track, I'm going to pass this on. It may be usable to the TV/Film/Publishing pro that will hear it next."


"LIGHT DRAMA" PIANO-Based INSTRUMENTAL CUES are needed by an EXCLUSIVE Music Library that's connected with many TV Production Companies and Showrunners! 

IMPORTANT NOTE: This company is brand new to requesting music from TAXI's members, so chances are you don’t have any material in their catalog yet! This is a great opportunity to create a new outlet for your music and begin a new relationship with an awesome company! 

This Library is looking for for a bunch of Mid-to-Up-Tempo Instrumental Cues in the general stylistic ballpark of the following references we got directly from them: 

Instrumental Reference #1 

Instrumental Reference #2 

Instrumental Reference #3 

Quoting the Library: "We'd like to hear light drama Cues in a range of moods from sad, to positive, hopeful to dark." 

Please submit well-composed, Piano-based Instrumental Cues that could create a light sense of drama in a range of TV show scenes. Your submissions can contain instrumentation in addition to Piano, but it should remain the base and focus of your pieces. Craft your Cues around a singular motif and mood, and create a sense of forward momentum and dynamics by layering instrumentation in and out as they progress. Please be sure that your production and any software sounds or samples you use are high-quality and modern (nothing dated, please!). 

TAXI Tip: This Library is NOT looking for huge, building pieces. They want Cues that could help establish a mood in a scene without getting overwhelming. Listen closely to the references to see what we mean by this. 

All submissions should be at least 90 seconds long, and can run up to 2 minutes (a little bit longer is fine). Well-crafted, buttoned/stinger endings are required – do NOT submit anything with faded endings. Do NOT copy the referenced tracks in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

Track Signed! 

I wrote this for a particular project that was looking for a theme song.

As sometimes happens, what you write a track for doesn't get chosen, but it ends up being signed with someone else. Which is the case here. It will eventually get re-titled for whatever it gets used for.

It was an excellent learning experience writing within a specific time constraint and trying to translate the emotion needed for a news or political program.

Taxi Music Forward - Light-Hearted Orchestral Comedic Dramedy Instrumental Cue 

Which means: “Hey cool track, I'm going to pass this on. It may be usable to the TV/Film/Publishing pro that will hear it next."

All my clowning around in the studio has awarded me another track sent out for consideration...


LIGHT-HEARTED ORCHESTRAL COMEDIC DRAMEDY INSTRUMENTAL CUES are needed by an EXCLUSIVE Music Library that's connected with many TV Production Companies and Showrunners! 

IMPORTANT NOTE: This company is brand new to requesting music from TAXI's members, so chances are you don’t have any material in their catalog yet! This is a great opportunity to create a new outlet for your music and begin a new relationship with an awesome company! 

This Library is on the hunt for a bunch of Mid-to-Up-Tempo Instrumental Cues that could be found on a playlist with the following references: 

"Sneaky Snitch" by Kevin MacLeod 

Instrumental Reference #2 

"Desperate Elves" by Steve Barden 

Quoting the Library: "We're looking for light-hearted, funny Cues with simple orchestration, light beats, lots of comedic stops. Childish or toy-ish sounds will work well, here." 

Please send well-composed Dramedy Cues with a light-hearted, quirky vibe and sound. Craft your submissions around a singular mischievous mood and motif, and create a sense of forward movement and dynamics by layering instrumentation in and out as they progress. Your Cues should incorporate light Orchestral instrumentation like pizzicato strings, oboes, glockenspiel, etc. If you're planning on using any virtual instruments, they need to sound high-quality and modern. Your production should be top-notch, as well. 

TAXI Tip: Simpler is often better for these kinds of Cues! Your pieces shouldn't be so busy that they could distract from dialog from a scene. 

All submissions should be at least 90 seconds long, and can run up to 2 minutes (a little bit longer is fine). Well-crafted, buttoned/stinger endings are required – do NOT submit anything with faded endings. Do NOT copy the referenced tracks in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

2 Taxi Music Forwards! - Light Dramedy Instrumental Cues 

..Which means: “Hey cool track, I'm going to pass this on. It may be usable to the TV/Film/Publishing pro that will hear it next."


Lots of LIGHT DRAMEDY INSTRUMENTAL CUES are needed by a Music Library with a great history of Reality TV placements! 

Please submit Mid-to-Up-Tempo Instrumental Cues that would fall within the general stylistic wheelhouse of the following references: 

Tyler Cameron's Massage Prank | The Bachelor (from 3:00 to 3:58) 

"Sneaky Snitch" by Kevin MacLeod 

RHONJ Season 11 Premiere (from 6:45 to 7:02) 

Please submit well-composed, LIGHT Dramedy Instrumental Cues that could work well in quirky and funny scenes in the context of Reality TV shows. Craft your pieces around a singular motif, and create a sense of forward-movement and dynamics by layering instrumentation in and out as they progress. Instrumentation in the same general vein of the references will suit your submissions well. Be sure to avoid submitting anything that sounds too busy, as it could interfere with a scene’s dialog. Your production and any and all software sounds you use need to be polished and modern, as well. 

TAXI Tip: This library needs a bunch of Instrumental Cues in this style; so if you’ve got the goods, don’t be shy about submitting multiple pieces for this opportunity! 

All submissions should be about 90 seconds to 2 minutes long (give or take) with non-faded, buttoned/stinger endings. Do NOT copy the examples in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe. Broadcast Quality is needed.

Taxi Music Forward - Dramatic, Atmospheric Instrumental 

..Which means: “Hey cool track, I'm going to pass this on. It may be usable to the TV/Film/Publishing pro that will hear it next."


DRAMATIC, ATMOSPHERIC INSTRUMENTAL CUES are needed by a very successful Music Licensing Company with a fast-growing list of placements and clients. 

This company is on the hunt for Instrumental Cues in the general stylistic ballpark of the following references: 

"CLOCKMAKER" by Trent Reznor & Atticus Ross 

"402.2 The Other One" by Mac Quayle 

"Sonia" by Cliff Martinez 

Please submit well-composed Instrumental Cues that could help establish a dramatic atmosphere in a scene. Your submissions can be straight Electronic pieces, or they can be a hybrid of Orchestral and Electronic instrumentation. Production-wise, your submissions should be polished and feature state-of-the-art software sounds and samples. Any virtual Orchestral instrumentation you use should be high-quality and not stiff or obviously MIDI-Driven. You'd be wise to stick to a single motif mood, and layer instrumentation in-and-out as you progress to create a subtle sense of forward momentum. 

NOTE: This Company is NOT looking for Cues that build in tension and dynamics greatly as they progress. They want music that will set the atmosphere of a scene without a ton of melodic and dynamic movement/change. Subtler is better for this pitch! 

Your submissions should be about 90 seconds to 2 minutes long, give or take. Non-faded, buttoned/stinger endings will work best. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed. 

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