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On Assignment - Magical Orchestral #3 

Here's the third of three tracks that has been signed with a music library for use in TV and film. I had an assignment to write “Magical Orchestral”. The title: “The Forest Path”.

I used a small bit of video through a… forest path (see below)… to get the idea started. You can get an idea of what the tempo of a piece of music should be from the movement of the visual and and then write according to that. (Notice the very slight up and down movement of the camera. Seemed like a good tempo to me!)

And once again, many thanks to a couple of new friends and veteran composers with the music library who helped me dial in the mix to get things where it needed to be.

 

A No for Now 

I'm always posting about the "yes's" that make it through a pitch. Well, here's a "no". It needed to be less somber and more “inspirational” for the client. You live/write and you learn to respect the feedback, knowing the track could find a home somewhere else. And every time a track is written, new insights about the skills required to get to the final product are gained. 

On Assignment - Magical Orchestral #2 

Here's the second of three tracks that has been signed with a music library for use in TV and film. I had an assignment to write “Magical Orchestral”. After perusing a huge list of titles given for the task, this one peaked my interest, “The Knowledge of Good and Evil”.

I used no visual aides to get this one started like I had for the previous track posted.

I couldn't help but think of Adam and Eve and that infamous tree of forbidden fruit.  But the genre is in a magical, possibly “Harry Potter-ish” kind of setting so I did't want the mood to get too dark. I thought it should have a little mysterious “good” mixed with “playful” evil (if that's even possible!) Hence the beginning comes in, ends at 0:40 with an “edit point” and that brings you into, oh I don't know, the wizardly evil section?

And once again, many thanks to a couple of new friends and veteran composers with the music library who helped me dial in the mix to get things where it needed to be.

"Hears" to 2021 

Here is a modest collection of tracks either signed by music libraries or released by yours truly in the year 2021.

As you may know, live music is my "day gig", but when I'm at home I'm working on original music, most always during the day, so.... now I'm confused....  haha. Anyway, as usual, my musical tastes are all over the map. 

Track Signed! 

I wrote this for a particular project that was looking for a theme song.

As sometimes happens, what you write a track for doesn't get chosen, but it ends up being signed with someone else. Which is the case here. It will eventually get re-titled for whatever it gets used for.

It was an excellent learning experience writing within a specific time constraint and trying to translate the emotion needed for a news or political program.

2 Tracks Forwarded, 4 Tracks Signed 

So the way it works, you get 2 tracks sent to a music library, they email you they would like to sign them and ask if you have anymore.

Why, yes I think to myself. [Open email. Attach, Send]

Moral of the story: Sign 4 tracks! Oh, and also, work hard at getting your work up to snuff.

Still, it doesn't guarantee a placement on TV or in film, but it gets me that much closer. In the meantime, I'll keep writing.